
Erasure in progress
I have been doing more erased drawings and feel there is plenty more that I want to explore in the area of partial deletion, redaction, becoming unseen. So I expect there will be a lot of eraser dust to deal with in the coming weeks. Featured below are a few pieces I have finished recently and am happy with. The first I have called “Double Erasure: Winter Field”. It continues the tidal theme of “Double Erasure – that soft spot in my heart” but connects back to some of my earliest field drawings.

“Double Erasure: Winter Field”
Multiply erased graphite on Canaletto paper 495mm x 695mm
The second is a reprise of a piece I did for the secret sale to support Bridport Arts Centre but in larger format. That earlier one was called “We two erased black squares together clinging” so this one is “We two erased black squares together clinging too”

“We two erased black squares together clinging too”
Erased pencil on Canaletto paper 302mm x 216mm
I have also been exploring the use of colour with erased drawings, using ink, watercolour and or Inktense pencils over the erased graphite, as can be seen in this detail from “Ashes and embers”

“Ashes and embers”
Watercolour and ink on erased graphite on Saunders Waterford paper
The whole thing looks like this:

“Ashes and embers”
Watercolour and ink on erased graphite on Saunders Waterford paper 381mm x 559mm
And another similar exploration:

“Otherwise unseen”
Watercolour and ink on erased graphite on Saunders Waterford paper 381mm x 559mm
I really enjoy the ephemeral mysterious nature of these pieces and the philosophical aspect of things bring erased.
Ashes and embers is particularly evocative and I love the colors so precisely drippingly painted
Lovely piece.