I really like the energy of Bath’s FaB Festival and the Bath Open Art Prize that for me is at its heart, so I am hugely pleased to be included in a show which unashamedly includes work that is quirky and unusual. The show is on at 44AD from 25 May to 10 June 2018
I am delighted that “A Few Lines Where Once I Danced” has been selected for the Bath Society of Artists show at the Victoria Art Gallery where it will be exhibited until 12 May 2018. It’s a particularly fine selection this year, well curated and hung, so worth a visit!
Last week I also finished this piece I spoke of a few of posts ago, “”For Musicians Who Like Music”. The title is a play on Andrew Hamilton’s “For People Who Like Art” and whilst it is not meant to be representative of the music it is inspired by it. I have a lot of ideas how I might progress this work – and other work related to music. I am aiming to start trying some of them out on canvas and in collage, today, and I am keen to try out some ideas as monoprints soon.
This is a piece that I started maybe a year ago! I finally made time to finish it off. I suppose it fits in my colour field drawings but it has a closer connection to my Tidelines work
The title of this piece comes from Andrew Hamilton’s “For People Who Like Art” which I was listening to as I finished it off. The words of Hamilton’s piece are taken from Ad Reinhardt’s “25 Lines of Words on Art Statement” so my title is quoting a quote. I have been really caught by his music and I had already started work on an another piece (still in progress) inspired by though not trying to represent this composition, which I am calling “For Musicians Who Like Art”. Hamilton has a number of works titled, “For…” which echos some of the titles of another composer I admire, Morton Feldman. Notably, Feldman wrote “For Philip Guston” and “For Franz Kline” among other work about art or artists. So my title, “For Musicians Who Like Art”, is an echo of an echo. I will post more about this when i have finished it and have got some decent photographs. Andrew Hamilton kindly sent me the score of the piece and I am thinking about doing more work directly related to his music. (I also have it in mind to do some work responding to Meredith Monk’s work!)
If you want to hear my favourite recording of Hamilton’s “For People Who Like Art” by Crash Ensemble you can do so on SoundCloud
After a period when I could not work on large drawings because of a bad back, I am now back on form and have been working on a strand of the erasure work I began during my 50 Collages Before Christmas project.
I am delighted to be showing work in three places in Bath. The work above, “Triple Double – Nothing Lost On Me”, was selected for the Bath Society of Artists Open Exhibition and is on display in excellent company at the Victoria Art Gallery until 15th July 2017. It’s a show that is well worth a look.
I was also selected for the Bath Open at 44AD, part of the Fringe Art Bath festival, where I am showing another erased/redacted work, “Are We Nearly There Yet”. That show finishes on Sunday 11th June. There are lots of very interesting shows, installations, performances and events on in Bath during FAB.
I am also represented in the slimmed-down version of “The Transformed Landscape” exhibition that was at The Brewhouse, Taunton, Somerset earlier in the year, which has now transferred to the Norman Foster-designed Circle Hospital, which has a regular programme of exhibitions, until December 2017.
This piece, Abstract Drawings For Dummies I: The Tiny Section of My Soul marks the start of two series of work: Abstract Drawings For Dummies and 50 Collages Before Christmas. I had been adding small sections of collage into my erasure and redaction drawings and decided to include text – something I did quite a bit in drawings 45 years ago (including erasing the words and writing what I had done!) and occasionally more recently during my #Collage 365 and #Letter365 projects. I have always had a leaning towards the surreal and absurd with a bit of tongue-in-cheek conceptual thrown in. Influences from cartoons and illustrations, exploded diagrams and information boards, maps and instruction books and much, much more form a lattice of lunacy in my brain. Lay on to this the soft spot I have for Frank Zappa, Bonzo Dog, David Byrne, Laurie Anderson and other slightly odd (and some other decidedly, very odd) music it is not surprising this kind of thing will surface in my work from time to time. The series title Abstract Drawings For Dummies obviously refers to the hugely successful series of “how to” books. The books are, in my experience, well-written and of a high standard and the use of “for dummies” is in no way demeaning or patronising. By using “Dummies” the publishers are signalling to ordinary people they don’t need to feel threatened by experts and that everyone is quite capable of attaining a working knowledge of the subject of the book. Most abstract artists are continually asked to explain what their work is about and during my #Letter365 project where the artwork was sealed unseen into an envelope and sold “blind” I was particularly strongly questioned. At that time I devised a series of works that might help people find a way into art they were not readily comfortable with: works which have instructions, directions and explanations as part of the composition. This new series is planned towards the realisation of that idea. It also features some of the convoluted workings of my brain which had a small opportunity for expression, sometimes quite wittily, on the envelopes of #Letter365.
As I was clearly fired up to do all manner of work I chose the moment of completing this piece to commit to 50 Collages Before Christmas too.
Number 5 of 50 Collages before Christmas is You Were Meant To Follow The Plan was nearly the first to be done but I could never stick to the plan!