I was pleased to be asked to be a judge for this, along with Liz Wright and Peter Sheridan. The prize-giving exhibition revealing the winning design for the proposed tunnel mural will be held at the STEPS Club For Young People, Weymouth, on Friday 23rd March.
The aim of all this is to improve an eyesore and problem area on the Rodwell Trail with a community project. The plan now is to train a group of local young people to support Peter Sheridan, the artist hired to transfer and develop the winning design as a stunning feature along the Rodwell Trail, hopefully attracting more people to the area. The tunnel painting will be carried out during three weeks this August and hopefully it will bring a lot of people together in Weymouth and attract a lot of tourist and media attention.
More Dirty Work At The Crossroads Graphite, ink and collage 59cm x 84Cm
I have been continuing working on my X Marks The Spot series which started at the end of the 50 Collages Before Christmas project I did last year. The last one I posted, X Marks The Spot Where We Buried The Hatchet took the work into the area of conflict, confusion and misdirection, so it is no surprise that I continued the theme when asked to exhibit at The Soldiers of Oxfordshire Museum, Woodstock, in Art On Conflict to tie in with Jenny Holzer’s SOFTER installation at Blenheim Palace.
The three pieces here will accompany X Marks The Spot Where We Buried The Hatchet to Woodstock in what I am sure will be a fascinating and provoking exhibition.
Forget Not The Righteous Tsunami Of Hokusai Graphite, acrylic & collage on Snowdon cartridge paper 59cm x 84cm
At Cross Purposes Erased graphite, Magic Tape and acrylic on Snowdon cartridge paper 59cm x 84cm
“Double Erasure: Winter Field” Multiply erased graphite on Canaletto paper 495mm x 695mm
I am delighted that “Double Erasure: Winter Field” has been shortlisted for the Wells Art Contemporary Awards 2016 and will be on show at The Bishop’s Palace, Wells 8 – 22 October and is already featured on the WAC website
Installation shot of my show with Björk Haraldsdóttir at Portmanteau Gallery, Bridport
The exhibition at the Portmanteau Gallery in Bridport opens today and i am delighted to say it looks beautiful. Björk’s work and mine work together really well and I am really inspired by how, together, we have created a cool, calm and classy atmosphere.
The Portmanteau Gallery will be open between 10am and 4pm only on the following dates: 20, 21, 24 to 29 August 2016. I won’t be at the gallery every day so if you want to catch up with me your best bet will be to visit on Wednesday 24 or Friday 26 through Sunday 28 or call me to arrange a time, or come to the Private View tonight between 5.30 and 7pm
Another installation shot of my show with Björk Haraldsdóttir at Portmanteau Gallery, Bridport
The Portmanteau Gallery is at 10 North Street, Bridport DT6 3JQ on the corner with Rax Lane where there is limited on-road parking as well as the car park. Look out for the yellow ART signs marked “21”, our Bridport Open Studios venue number.
I am opening up my studio as part of Dorset Art Weeks. Everything is set up and looking good ready for the public opening at 11am on Saturday 28th May. I am delighted to be showing a good number of brand new pieces: work that I have produced this year! I am also showing some of the “Black Squares” work I exhibited at Black Swan Arts, Frome, last November which hasn’t been seen in Bridport before.
A mix of Black Squares and new erased field drawings ready for DAW 2016
The new work picks up where I left off last year before committing to the Black Squares theme for the Frome show, but clearly it has been developed with the experience of that focused process at play. There are new field drawings in colourful Inktense pencil, double and triple erasures and redactions, expressive ink drawings, new asemic text works and some sparse new pieces inspired by the coast which I have been wanting to do for almost a year!
There’s work to suit a range of space: from small to large
Because there is so much new work – mostly imperial size or larger – I have had to hang more like an art fair than a gallery, which is fine if you remember this is just an open studios event!
I am not open every day during Dorset Art Weeks so check the opening times before you come. I will be open between 11am and 6pm only on the following dates: 28, 29, 30 May, 1, 3, 4, 5, 9, 10, 11, 12 June 2016. Other times strictly by appointment only.
Anna Gahlin’s contribution to “The Binding Grid of Creative Connection” and the packing it was in
I had a moving couple of hours opening and recording the contributions to my collaborative piece “The Binding Grid of Creative Connection” which I will be working on during the first two weeks of my show “Black Squares, Black Lines & Black Magic” at Black Swan Arts, Frome. So far 55 artists have contributed a total of 117 pieces for me to work with. I am really touched that so many people – people, mostly, I have never met – have taken so much time and care to make something for me to do with as I choose. People have trusted me with their art and given it in good heart. Most people packed their little 4″ x 4″ work with meticulous care. Many included a short note or a card with good wishes and words of support. Sometimes there was a little story about the piece and for me the greatest joy was when someone said how much they enjoyed thinking about and doing their piece. Pure inspiration. Thank you everyone. I will still accept contributions for the next two weeks. Do come and visit me at the gallery to see th eprogress and unfolding.
Martin Heron’s contribution
I have had pieces from France, Norway, America and all over the UK. Artists of all ages, amateur and professional, experienced and emerging, have put themselves out to send a creative gift. Some people sent multiple contributions. Three was a frequent number but a few sent more than 10 pieces! As yet I am still to discover who sent a pack of sixteen wonderful, double-sided squares, carefully packed, but didn’t enclose even a clue to their maker. Please let me know who you are so I can credit you!
Anonymous contribution to “The Binding Grid of Creative Connection”
With so much care and generosity taken with these gifts I am really conscious that I want to do justice to them and make the contributors be proud they were a part of something. I start work on Saturday on it and at present have far too many ideas, but I’ll soon find my way through it. I say I start on Saturday but actually I have created a big black square and drawn a grid on it. I stuck my own first contribution on it:
My own starting contribution for “The Binding Grid of Creative Connection”
My show in the Round Tower at Black Swan Arts in Frome is just about ready to roll! All the work is hung and just needs a final tweak and there are information boards to get up, then we will be ready for the private view tomorrow night, Friday 6th November 2015 from 6-8pm. The show is open to the public 7th-28th November 2015
Apart from the larger works on canvas I have done especially for this show there is a selection of recent works on paper including pieces that were in the Wells Art Contemporary and the RWA Drawn shows, if you missed them there. I have also included a group of small studies like the ones that proved so popular at Bridport Open Studios: they are a nice introduction to my work and make nice gifts for loved ones or yourself!
There are also two participatory pieces: one for artists and one for all visitors. I’ll write more about these in subsequent posts.
another installation shot upstairs at the Round Tower
“Dance Steps” Acrylic on canvas 122cm x 122cm A poor reproduction of something that has little to do with the post!
I have decided on “The Binding Grid of Creative Connection” as the working title for the collaborative piece I will make during my “Black Squares, Black Lines & Black Magic” show at Black Swan Arts, Frome, next month. I have a feeling that the title may get added to with something in brackets, but we will see! So what does that mean? Well, it is a celebration of the incredibly positive and affirming nature of my experience with Twitter and the connections I have made with other creative people. The piece will be an attempt to anchor physically (bind) the goodwill and connected creativity of those people and to show my gratitude for their support. I have called it “Grid” because I often work with grids but also because of the idea of the National Grid: lines of power which spread energy across the land. I love the idea that groups of creative people are coming together through Twitter to create “ecologies of talent”, what Brian Eno refers to as “scenius”, the talent of a community (genius being the talent of an individual) where all sorts of people with a range of skills, abilities and facilities combine and contribute to enable great art and ideas to emerge. As Eno says in this clip from the John Peel Lecture the other day, it takes a lot of help from all sorts of people, including people sometimes refered to as hangers-on, for a creative scene to flourish. I think Twitter has the ability to support such “sceniuses” and “The Binding Grid of Creative Connection” is my way of giving it recognition. I have no idea how the piece will progress but I now have an idea how I will start the process, but you’ll have to wait for that.
One thing I have thought about is including some of the envelopes too – in fact at one point I thought of not opening the envelopes but displaying the work unseen! Those who know my work will recognise my fascination for the unseen, obscured, veiled and redacted from other work not least of which #Letter365. But I have said to everyone that I will give them a public credit for their contribution and mostly wont know who things are from if I don’t open the envelopes!
A few black square contributions
There seems to be a good response from people, but as I am not able to just pop in to Black Swan Arts I have no real idea exactly how many there might be so far. Thank you to all the kind and generous folk who have already sent contributions. More will always be welcome so get yours to me as soon as you can. So if you are an artist in any discipline please send your contribution to me c/o Black Squares, The Round Tower, Black Swan Arts, 2 Bridge Street, Frome, Somerset BA11 1BB. Please do it NOW! I will be creating the piece during the show which runs from 6 November – 29 November 2015 so if you wanted you could bring me your piece (I will accept submissions up to 21 November) but you know you’ll forget – so do it NOW! Don’t forget, when you send or deliver a piece you pass all physical and intellectual property rights to it as an object or idea over to me to use in any way that I see fit.
NB can you please make sure you put the correct postage on your package!
Also please note: I need to have your physical contribution. So if you make a digital piece please produce hard copy for me to use. If you are a musician or a poet or dancer or whatever you can still take part as long as you make your contribution into some kind of hard-copy 4″ x 4″ submission.
Footnote: thanks to Austin Kleon for reminding me in “Show Your Work” about Brian Eno’s concept of scenius
“The Stone Archive (Fields of Oblivion 2)” Watercolour on Saunders Waterford paper 559mm × 762mm
I am pleased to say that “The Stone Archive (Fields of Oblivion 2)” has been selected for the RWA 163rd Annual Open Exhibition in Bristol. It is difficult deciding which open competitions are of value, but the RWA attracts a large number of entries, has a professional process and good quality judges so I feel proud to have been chosen for inclusion and will be showing with some other excellent artists. The Varnishing Day Lunch and Private View are this Saturday, The show is open to the public from 4 October to the 29 November 2015
Wells Art Contemporary 2015 shortlist (screengrab from WAC website) featuring my name
I am delighted and honoured to be included on the shortlist for this year’s Wells Art Contemporary Awards. It is quite a new open competition for contemporary visual art that is gaining praise and respect in Britain and abroad. One of the reasons I entered was the quality of artists who entered in previous years, but the main reason was the high calibre of the judges who this year are Mariele Neudecker (Sculptor and multimedia artist), Donald Smith (Director of Exhibitions, Chelsea Space, who curated an excellent Derek Jarman show a while back) and Richard Wentworth (Sculptor and conceptual artist) These three judges initially viewed all the submissions anonymously and then the resulting shortlist was reviewed by a further panel “the 45 Park Lane Artists” comprising Sir Peter Blake, Brendan Neiland, Bruce McLean, Christian Furr, Joe Tilson, Martin Fuller, Patrick Hughes, Brad Faine, Donald Smith, and Tom Phillips.This process produced the final choice of works selected for the Wells exhibition which runs 9-24 October 2015 at the Wells and Mendip Museum. The prize winners will be agreed after the selected works have been curated. (The curator is Roy Ackerman.)
The piece that has been selected is a drawing, “Double Erasure – that soft spot in my heart” (pictured below)
“Double Erasure – that soft spot in my heart” Multiply-erased graphite drawing on Canaletto paper 500mm x 700mm