Tag Archives: erasure

Shortlisted for Wells Art Contemporary Awards

Double Erasure: Winter Field - drawing on paper by David Smith

“Double Erasure: Winter Field”
Multiply erased graphite on Canaletto paper 495mm x 695mm

I am delighted that “Double Erasure: Winter Field” has been shortlisted for the Wells Art Contemporary Awards 2016 and will be on show at The Bishop’s Palace, Wells 8 – 22 October and is already featured on the WAC website

Show at the Portmanteau Gallery looking great

Gallery installation shot

Installation shot of my show with Björk Haraldsdóttir at Portmanteau Gallery, Bridport

The exhibition at the Portmanteau Gallery in Bridport opens today and i am delighted to say it looks beautiful. Björk’s work and mine work together really well and I am really inspired by how, together, we have created a cool, calm and classy atmosphere.

The Portmanteau Gallery will be open between 10am and 4pm only on the following dates: 20, 21, 24 to 29 August 2016. I won’t be at the gallery every day so if you want to catch up with me your best bet will be to visit on Wednesday 24 or Friday 26 through Sunday 28 or call me to arrange a time, or come to the Private View tonight between 5.30 and 7pm

Gallery installation shot

Another installation shot of my show with Björk Haraldsdóttir at Portmanteau Gallery, Bridport

The Portmanteau Gallery is at 10 North Street, Bridport DT6 3JQ on the corner with Rax Lane where there is limited on-road parking as well as the car park. Look out for the yellow ART signs marked “21”, our Bridport Open Studios venue number.

Dorset Art Weeks: Venue 141

Photograph of David Smith's studio

The studio is transformed to gallery

I am opening up my studio as part of Dorset Art Weeks. Everything is set up and looking good ready for the public opening at 11am on Saturday 28th May. I am delighted to be showing a good number of brand new pieces: work that I have produced this year! I am also showing some of the “Black Squares” work I exhibited at Black Swan Arts, Frome, last November which hasn’t been seen in Bridport before.

Photograph of David Smith's studio

A mix of Black Squares and new erased field drawings ready for DAW 2016

The new work picks up where I left off last year before committing to the Black Squares theme for the Frome show, but clearly it has been developed with the experience of that focused process at play. There are new field drawings in colourful Inktense pencil, double and triple erasures and redactions, expressive ink drawings, new asemic text works and some sparse new pieces inspired by the coast which I have been wanting to do for almost a year!

Photograph of David Smith's studio

There’s work to suit a range of space: from small to large

Because there is so much new work – mostly imperial size or larger – I have had to hang more like an art fair than a gallery, which is fine if you remember this is just an open studios event!

I am not open every day during Dorset Art Weeks so check the opening times before you come. I will be open between 11am and 6pm only on the following dates: 28, 29, 30 May, 1, 3, 4, 5, 9, 10, 11, 12 June 2016. Other times strictly by appointment only.

The forecast is more erasure!

Image of drawing in the process of being erased

Erasure in progress

I have been doing more erased drawings and feel there is plenty more that I want to explore in the area of partial deletion, redaction, becoming unseen. So I expect there will be a lot of eraser dust to deal with in the coming weeks. Featured below are a few pieces I have finished recently and am happy with. The first I have called “Double Erasure: Winter Field”. It continues the tidal theme of “Double Erasure – that soft spot in my heart” but connects back to some of my earliest field drawings.

Double Erasure: Winter Field - drawing on paper by David Smith

“Double Erasure: Winter Field”
Multiply erased graphite on Canaletto paper 495mm x 695mm

The second is a reprise of a piece I did for the secret sale to support Bridport Arts Centre but in larger format. That earlier one was called “We two erased black squares together clinging” so this one is “We two erased black squares together clinging too”

We two erased black squares together clinging too - erased pencil drawing by David Smith

“We two erased black squares together clinging too”
Erased pencil on Canaletto paper 302mm x 216mm

I have also been exploring the use of colour with erased drawings, using ink, watercolour and or Inktense pencils over the erased graphite, as can be seen in this detail from “Ashes and embers”

"Ashes and embers" drawing in watercolour and ink on erased graphite on Saunders Waterford paper by David Smith

“Ashes and embers”
Watercolour and ink on erased graphite on Saunders Waterford paper

The whole thing looks like this:

"Ashes and embers" Watercolour and ink on erased graphite on Saunders Waterford paper by David Smith

“Ashes and embers”
Watercolour and ink on erased graphite on Saunders Waterford paper 381mm x 559mm

And another similar exploration:

"Otherwise unseen" Watercolour and ink on erased graphite on Saunders Waterford paper by David Smith

“Otherwise unseen”
Watercolour and ink on erased graphite on Saunders Waterford paper 381mm x 559mm

Erasure drawings

Erased black square 1 - drawing by David Smith

Erased black square 1
Pencil and eraser on Canaletto paper

It may seem odd that my work on black squares and my Tidelines theme are intimately linked but it is all a continuum. This latest phase – erasing and redrawing and erasing again for as many times as necessary to get the effect I want – mirrors the tide’s twice-daily erasing of the sand patterns and debris on the beach; rubbed out but leaving a trace of the history of previous times and tides. I am experimenting with various surfaces. These featured are on 300gsm Canaletto paper. It is thick enough not to buckle and stretch too much and robust enough to take repeated erasure yet still soft enough to hold the indentation of an HB pencil.

Deatial of paper surface

Detail of surface after repeated erasing and redrawing

I have chosen to use traditional pencils rather than a clutch pencil because it allows a greater degree of chaos to enter the mix. The sharpness wearing to bluntness and my reaction to it in the marks I make, plus the length of the pencil affecting my grip on it as it gets shorter, are important elements in the content of the works.

Drawing by David Smith

Erased black square 2

The piece I began today (detail below) is on a full sheet of Canaletto paper 500mm x 700mm on which I have created a semi-accurate ruled grid. I am using what I believe to be HB pencils that were liberated from conference rooms at various hotels 20 years ago – knew they would come in handy! I may have to buy some more as they are disappearing at an alarming rate. In future drawings I may use harder pencils depending on what the surface of chosen paper suggests. For the first layer I am trying to be pretty loose and not get into my usual rythmns and shapes. I am listening to Soft Machine and at times using my left hand. Once this “ground” has been established, with the general shape and form of the piece tentatively mapped in, I will be more controlled about the marks I make after each successive erasure.

Start of a graphite erasure drawing by David Smith

First layer of marks (detail) on an as yet untitled erasure drawing