“The Transformed Land” show I was part of at The Brewhouse, Taunton, and Circle Hospital in Bath last year is reappearing in a refreshed version at ACEarts, Somerton, Somerset from 26 May 2018 to 16 June 2018. Curated by Paul Newman and featuring a stellar group of artists including Linn O’Carroll, Deborah Westmancoat, Howard Phipps, David Daniels, Andrew Lansley and Jennifer Newbury amongst others.
I really like the energy of Bath’s FaB Festival and the Bath Open Art Prize that for me is at its heart, so I am hugely pleased to be included in a show which unashamedly includes work that is quirky and unusual. The show is on at 44AD from 25 May to 10 June 2018
I am delighted that “A Few Lines Where Once I Danced” has been selected for the Bath Society of Artists show at the Victoria Art Gallery where it will be exhibited until 12 May 2018. It’s a particularly fine selection this year, well curated and hung, so worth a visit!
Last week I also finished this piece I spoke of a few of posts ago, “”For Musicians Who Like Music”. The title is a play on Andrew Hamilton’s “For People Who Like Art” and whilst it is not meant to be representative of the music it is inspired by it. I have a lot of ideas how I might progress this work – and other work related to music. I am aiming to start trying some of them out on canvas and in collage, today, and I am keen to try out some ideas as monoprints soon.
The title of this piece comes from Andrew Hamilton’s “For People Who Like Art” which I was listening to as I finished it off. The words of Hamilton’s piece are taken from Ad Reinhardt’s “25 Lines of Words on Art Statement” so my title is quoting a quote. I have been really caught by his music and I had already started work on an another piece (still in progress) inspired by though not trying to represent this composition, which I am calling “For Musicians Who Like Art”. Hamilton has a number of works titled, “For…” which echos some of the titles of another composer I admire, Morton Feldman. Notably, Feldman wrote “For Philip Guston” and “For Franz Kline” among other work about art or artists. So my title, “For Musicians Who Like Art”, is an echo of an echo. I will post more about this when i have finished it and have got some decent photographs. Andrew Hamilton kindly sent me the score of the piece and I am thinking about doing more work directly related to his music. (I also have it in mind to do some work responding to Meredith Monk’s work!)
If you want to hear my favourite recording of Hamilton’s “For People Who Like Art” by Crash Ensemble you can do so on SoundCloud
This piece, Abstract Drawings For Dummies I: The Tiny Section of My Soul marks the start of two series of work: Abstract Drawings For Dummies and 50 Collages Before Christmas. I had been adding small sections of collage into my erasure and redaction drawings and decided to include text – something I did quite a bit in drawings 45 years ago (including erasing the words and writing what I had done!) and occasionally more recently during my #Collage 365 and #Letter365 projects. I have always had a leaning towards the surreal and absurd with a bit of tongue-in-cheek conceptual thrown in. Influences from cartoons and illustrations, exploded diagrams and information boards, maps and instruction books and much, much more form a lattice of lunacy in my brain. Lay on to this the soft spot I have for Frank Zappa, Bonzo Dog, David Byrne, Laurie Anderson and other slightly odd (and some other decidedly, very odd) music it is not surprising this kind of thing will surface in my work from time to time. The series title Abstract Drawings For Dummies obviously refers to the hugely successful series of “how to” books. The books are, in my experience, well-written and of a high standard and the use of “for dummies” is in no way demeaning or patronising. By using “Dummies” the publishers are signalling to ordinary people they don’t need to feel threatened by experts and that everyone is quite capable of attaining a working knowledge of the subject of the book. Most abstract artists are continually asked to explain what their work is about and during my #Letter365 project where the artwork was sealed unseen into an envelope and sold “blind” I was particularly strongly questioned. At that time I devised a series of works that might help people find a way into art they were not readily comfortable with: works which have instructions, directions and explanations as part of the composition. This new series is planned towards the realisation of that idea. It also features some of the convoluted workings of my brain which had a small opportunity for expression, sometimes quite wittily, on the envelopes of #Letter365.
As I was clearly fired up to do all manner of work I chose the moment of completing this piece to commit to 50 Collages Before Christmas too.
In my next show, at the Sugar Cube Gallery, Hambridge, I continue my explorations on the notion that nothing is ever completely eradicated: barely perceptible traces of every action remain like DNA signatures, capable of being read by those with the knowledge, sensitivity and technology. These traces affect what follows, whether we know it or not. Referencing crop marks, stone circles and mapmaking, a new suite of minimalist drawings using erasure and redaction will be on show along with selected work from two strands of my Black Squares series – asemic writing and “colourful black squares” plus anything else I can fit in to “the smallest gallery in Somerset”. All the pieces are small to medium in size and as such are affordably priced and would make great Christmas gifts for friends, family or a treat for yourself!
The show runs 7 November – 21 December at Sugar Cube Gallery, The Courtyard, Bowdens Farm, Hambridge, Somerset TA10 0BP Monday – Friday 9am – 4pm. There’s a preview evening on Friday 4th November 5pm – 7pm and it would be great to see everyone for a glass of fizz and a chat.
I am delighted that “Double Erasure: Winter Field” has been shortlisted for the Wells Art Contemporary Awards 2016 and will be on show at The Bishop’s Palace, Wells 8 – 22 October and is already featured on the WAC website
The exhibition at the Portmanteau Gallery in Bridport opens today and i am delighted to say it looks beautiful. Björk’s work and mine work together really well and I am really inspired by how, together, we have created a cool, calm and classy atmosphere.
The Portmanteau Gallery will be open between 10am and 4pm only on the following dates: 20, 21, 24 to 29 August 2016. I won’t be at the gallery every day so if you want to catch up with me your best bet will be to visit on Wednesday 24 or Friday 26 through Sunday 28 or call me to arrange a time, or come to the Private View tonight between 5.30 and 7pm
The Portmanteau Gallery is at 10 North Street, Bridport DT6 3JQ on the corner with Rax Lane where there is limited on-road parking as well as the car park. Look out for the yellow ART signs marked “21”, our Bridport Open Studios venue number.
Some people reading this may be surprised to learn I am taking part in Bridport Open Studios. I have had conversations with many people about my decision not to participate in open studio events again! Then Björk Haraldsdóttir invited me to share the Portmanteau Gallery with her for BOS – an offer I could not refuse. Björk’s work is stunning and we share a similar aesthetic so I’m delighted to be exhibiting with her in what some people have already kindly predicted will be one of the highlights of Bridport Open Studios 2016
Björk creates wonderfully tactile, seductively patterned, stoneware forms that are haunted by her Icelandic heritage and architectural training. If you have not seen her work before I can thoroughly recommend you come and experience it. I believe our work complements each other’s superbly and would look great together in any home. I will be showing a selection of recent field drawings and erasures with a nod to my black squares work. I hope you will find it an exciting mix.
To celebrate me going back on my word I hope you will join Björk and me at the gallery on SATURDAY 20th AUGUST 2016 from 17.30-19.00 for a drink and private view. If you have spent the day at West Bay or touring BOS coming to see our work would make a fine end to the day and it’s still early enough set you up for an evening in Bridport.
The Portmanteau Gallery will be open between 10am and 4pm only on the following dates: 20, 21, 24 to 29 August 2016. I won’t be at the gallery every day so if you want to catch up with me and can’t make it to the PV your best bet will be to visit on Wednesday 24 or Friday 26 through Sunday 28 or call me to arrange a time.
For those who don’t know it, the Portmanteau Gallery is at 10 North Street, Bridport DT6 3JQ on the corner with Rax Lane where there is limited on-road parking as well as the car park. Look out for the yellow ART signs marked “21”, our Bridport Open Studios venue number.