Tag Archives: drawing

Detail of abstract minimalist collage & drawing by David Smith

Abstract Drawings For Dummies I: The Tiny Section of My Soul

Abstract minimalist collage & drawing by David Smith

“Abstract Drawings for Dummies I The Tiny Section of My Soul”
Collage, ink, erased graphite, print and acrylic on Snowdon cartridge 59cm x 84cm

This piece, Abstract Drawings For Dummies I: The Tiny Section of My Soul marks the start of two series of work: Abstract Drawings For Dummies and 50 Collages Before Christmas. I had been adding small sections of collage into my erasure and redaction drawings and decided to include text – something I did quite a bit in drawings 45 years ago (including erasing the words and writing what I had done!) and occasionally more recently during my #Collage 365 and #Letter365 projects. I have always had a leaning towards the surreal and absurd with a bit of tongue-in-cheek conceptual thrown in. Influences from cartoons and illustrations, exploded diagrams and information boards, maps and instruction books and much, much more form a lattice of lunacy in my brain. Lay on to this the soft spot I have for Frank Zappa, Bonzo Dog, David Byrne, Laurie Anderson and other slightly odd (and some other decidedly, very odd) music it is not surprising this kind of thing will surface in my work from time to time. The series title Abstract Drawings For Dummies obviously refers to the hugely successful series of “how to” books. The books are, in my experience, well-written and of a high standard and the use of “for dummies” is in no way demeaning or patronising. By using “Dummies” the publishers are signalling to ordinary people they don’t need to feel threatened by experts and that everyone is quite capable of attaining a working knowledge of the subject of the book. Most abstract artists are continually asked to explain what their work is about and during my #Letter365 project where the artwork was sealed unseen into an envelope and sold “blind” I was particularly strongly questioned. At that time I devised a series of works that might help people find a way into art they were not readily comfortable with: works which have instructions, directions and explanations as part of the composition. This new series is planned towards the realisation of that idea. It also features some of the convoluted workings of my brain which had a small opportunity for expression, sometimes quite wittily, on the envelopes of #Letter365.

As I was clearly fired up to do all manner of work I chose the moment of completing this piece to commit to 50 Collages Before Christmas too.

Exhibition at the Sugar Cube Gallery

"Solid IV" Mixed media drawing by David Smith

“Solid IV”
Mixed media drawing on handmade Indian ecopaper 30cm x30cm approx

In my next show, at the Sugar Cube Gallery, Hambridge, I continue my explorations on the notion that nothing is ever completely eradicated: barely perceptible traces of every action remain like DNA signatures, capable of being read by those with the knowledge, sensitivity and technology. These traces affect what follows, whether we know it or not. Referencing crop marks, stone circles and mapmaking, a new suite of minimalist drawings using erasure and redaction will be on show along with selected work from two strands of my Black Squares series – asemic writing and “colourful black squares” plus anything else I can fit in to “the smallest gallery in Somerset”. All the pieces are small to medium in size and as such are affordably priced and would make great Christmas gifts for friends, family or a treat for yourself!

The show runs 7 November – 21 December at Sugar Cube Gallery, The Courtyard, Bowdens Farm, Hambridge, Somerset TA10 0BP Monday – Friday 9am – 4pm. There’s a preview evening on Friday 4th November 5pm – 7pm and it would be great to see everyone for a glass of fizz and a chat.

Shortlisted for Wells Art Contemporary Awards

Double Erasure: Winter Field - drawing on paper by David Smith

“Double Erasure: Winter Field”
Multiply erased graphite on Canaletto paper 495mm x 695mm

I am delighted that “Double Erasure: Winter Field” has been shortlisted for the Wells Art Contemporary Awards 2016 and will be on show at The Bishop’s Palace, Wells 8 – 22 October and is already featured on the WAC website

Show at the Portmanteau Gallery looking great

Gallery installation shot

Installation shot of my show with Björk Haraldsdóttir at Portmanteau Gallery, Bridport

The exhibition at the Portmanteau Gallery in Bridport opens today and i am delighted to say it looks beautiful. Björk’s work and mine work together really well and I am really inspired by how, together, we have created a cool, calm and classy atmosphere.

The Portmanteau Gallery will be open between 10am and 4pm only on the following dates: 20, 21, 24 to 29 August 2016. I won’t be at the gallery every day so if you want to catch up with me your best bet will be to visit on Wednesday 24 or Friday 26 through Sunday 28 or call me to arrange a time, or come to the Private View tonight between 5.30 and 7pm

Gallery installation shot

Another installation shot of my show with Björk Haraldsdóttir at Portmanteau Gallery, Bridport

The Portmanteau Gallery is at 10 North Street, Bridport DT6 3JQ on the corner with Rax Lane where there is limited on-road parking as well as the car park. Look out for the yellow ART signs marked “21”, our Bridport Open Studios venue number.

Exhibiting with Björk Haraldsdóttir at the Portmanteau Gallery

Some people reading this may be surprised to learn I am taking part in Bridport Open Studios. I have had conversations with many people about my decision not to participate in open studio events again! Then Björk Haraldsdóttir invited me to share the Portmanteau Gallery with her for BOS – an offer I could not refuse. Björk’s work is stunning and we share a similar aesthetic so I’m delighted to be exhibiting with her in what some people have already kindly predicted will be one of the highlights of Bridport Open Studios 2016

Björk creates wonderfully tactile, seductively patterned, stoneware forms that are haunted by her Icelandic heritage and architectural training. If you have not seen her work before I can thoroughly recommend you come and experience it. I believe our work complements each other’s superbly and would look great together in any home. I will be showing a selection of recent field drawings and erasures with a nod to my black squares work. I hope you will find it an exciting mix.

Bridport Open Studios flyer for Portmanteau Gallery

To celebrate me going back on my word I hope you will join Björk and me at the gallery on SATURDAY 20th AUGUST 2016 from 17.30-19.00 for a drink and private view. If you have spent the day at West Bay or touring BOS coming to see our work would make a fine end to the day and it’s still early enough set you up for an evening in Bridport.

The Portmanteau Gallery will be open between 10am and 4pm only on the following dates: 20, 21, 24 to 29 August 2016. I won’t be at the gallery every day so if you want to catch up with me and can’t make it to the PV your best bet will be to visit on Wednesday 24 or Friday 26 through Sunday 28 or call me to arrange a time.

For those who don’t know it, the Portmanteau Gallery is at 10 North Street, Bridport DT6 3JQ on the corner with Rax Lane where there is limited on-road parking as well as the car park. Look out for the yellow ART signs marked “21”, our Bridport Open Studios venue number.

The forecast is more erasure!

Image of drawing in the process of being erased

Erasure in progress

I have been doing more erased drawings and feel there is plenty more that I want to explore in the area of partial deletion, redaction, becoming unseen. So I expect there will be a lot of eraser dust to deal with in the coming weeks. Featured below are a few pieces I have finished recently and am happy with. The first I have called “Double Erasure: Winter Field”. It continues the tidal theme of “Double Erasure – that soft spot in my heart” but connects back to some of my earliest field drawings.

Double Erasure: Winter Field - drawing on paper by David Smith

“Double Erasure: Winter Field”
Multiply erased graphite on Canaletto paper 495mm x 695mm

The second is a reprise of a piece I did for the secret sale to support Bridport Arts Centre but in larger format. That earlier one was called “We two erased black squares together clinging” so this one is “We two erased black squares together clinging too”

We two erased black squares together clinging too - erased pencil drawing by David Smith

“We two erased black squares together clinging too”
Erased pencil on Canaletto paper 302mm x 216mm

I have also been exploring the use of colour with erased drawings, using ink, watercolour and or Inktense pencils over the erased graphite, as can be seen in this detail from “Ashes and embers”

"Ashes and embers" drawing in watercolour and ink on erased graphite on Saunders Waterford paper by David Smith

“Ashes and embers”
Watercolour and ink on erased graphite on Saunders Waterford paper

The whole thing looks like this:

"Ashes and embers" Watercolour and ink on erased graphite on Saunders Waterford paper by David Smith

“Ashes and embers”
Watercolour and ink on erased graphite on Saunders Waterford paper 381mm x 559mm

And another similar exploration:

"Otherwise unseen" Watercolour and ink on erased graphite on Saunders Waterford paper by David Smith

“Otherwise unseen”
Watercolour and ink on erased graphite on Saunders Waterford paper 381mm x 559mm

The generosity of artists

Pastel by Anna Gahlin

Anna Gahlin’s contribution to “The Binding Grid of Creative Connection” and the packing it was in

I had a moving couple of hours opening and recording the contributions to my collaborative piece “The Binding Grid of Creative Connection” which I will be working on during the first two weeks of my show “Black Squares, Black Lines & Black Magic” at Black Swan Arts, Frome. So far 55 artists have contributed a total of 117 pieces for me to work with. I am really touched that so many people – people, mostly, I have never met – have taken so much time and care to make something for me to do with as I choose. People have trusted me with their art and given it in good heart. Most people packed their little 4″ x 4″ work with meticulous care. Many included a short note or a card with good wishes and words of support. Sometimes there was a little story about the piece and for me the greatest joy was when someone said how much they enjoyed thinking about and doing their piece. Pure inspiration. Thank you everyone. I will still accept contributions for the next two weeks. Do come and visit me at the gallery to see th eprogress and unfolding.

Painted metal piece by Martin Heron

Martin Heron’s contribution

I have had pieces from France, Norway, America and all over the UK. Artists of all ages, amateur and professional, experienced and emerging, have put themselves out to send a creative gift. Some people sent multiple contributions. Three was a frequent number but a few sent more than 10 pieces! As yet I am still to discover who sent a pack of sixteen wonderful, double-sided squares, carefully packed, but didn’t enclose even a clue to their maker. Please let me know who you are so I can credit you!

Anonymous contribution to "The Binding Grid of Creative Connection"

Anonymous contribution to “The Binding Grid of Creative Connection”

With so much care and generosity taken with these gifts I am really conscious that I want to do justice to them and make the contributors be proud they were a part of something. I start work on Saturday on it and at present have far too many ideas, but I’ll soon find my way through it. I say I start on Saturday but actually I have created a big black square and drawn a grid on it. I stuck my own first contribution on it:

Collage by David Smith

My own starting contribution for “The Binding Grid of Creative Connection”

Black Squares, Black Lines & Black Magic almost ready to go!

Installation shot upstairs at the Round Tower

Installation shot upstairs at the Round Tower

My show in the Round Tower at  Black Swan Arts in Frome is just about ready to roll! All the work is hung and just needs a final tweak and there are information boards to get up, then we will be ready for the private view tomorrow night, Friday 6th November 2015 from 6-8pm. The show is open to the public 7th-28th November 2015

Apart from the larger works on canvas I have done especially for this show there is a selection of recent works on paper including pieces that were in the Wells Art Contemporary and the RWA Drawn shows, if you missed them there. I have also included a group of small studies like the ones that proved so popular at Bridport Open Studios: they are a nice introduction to my work and make nice gifts for loved ones or yourself!

There are also two participatory pieces: one for artists and one for all visitors. I’ll write more about these in subsequent posts.

Upstairs at the Round Tower - installation shot

another installation shot upstairs at the Round Tower

Shortlisted for Wells Art Contemporary

Wells Art Contemporary 2015 shortlist

Wells Art Contemporary 2015 shortlist (screengrab from WAC website) featuring my name

I am delighted and honoured to be included on the shortlist for this year’s Wells Art Contemporary Awards. It is quite a new open competition for contemporary visual art that is gaining praise and respect in Britain and abroad. One of the reasons I entered was the quality of artists who entered in previous years, but the main reason was the high calibre of the judges who this year are Mariele Neudecker (Sculptor and multimedia artist), Donald Smith (Director of Exhibitions, Chelsea Space, who curated an excellent Derek Jarman show a while back) and Richard Wentworth (Sculptor and conceptual artist) These three judges initially viewed all the submissions anonymously and then the resulting shortlist was reviewed by a further panel “the 45 Park Lane Artists” comprising Sir Peter Blake, Brendan Neiland, Bruce McLean, Christian Furr, Joe Tilson, Martin Fuller, Patrick Hughes, Brad Faine, Donald Smith, and Tom Phillips.This process produced the final choice of works selected for the Wells exhibition which runs 9-24 October 2015 at the Wells and Mendip Museum. The prize winners  will be agreed after the selected works have been curated. (The curator is Roy Ackerman.)

The piece that has been selected is a drawing, “Double Erasure – that soft spot in my heart” (pictured below)

Abstract graphite drawing by david Smith

“Double Erasure – that soft spot in my heart”
Multiply-erased graphite drawing on Canaletto paper 500mm x 700mm

Open call to all artists for collaborative piece

"That Matter We Talked About" Acrylic painting on canvas by David Smith

“That Matter We Talked About”
Acrylic on canvas 400mm x 400mm

For my next show in the Round Tower at Black Swan Arts, Frome, I want to do a couple of collaborative pieces and for the first of them I need the help of other artists. The working title of the show is “Black Squares, Black Lines & Black Magic” and I want artists to make something, anything, that is their interpretation of or idea about that theme. It can be anything at all, in any format or media as long as it is exactly 4″ x 4″.

So if you are an artist in any discipline please send your contribution to me c/o Black Squares, The Round Tower, Black Swan Arts, 2 Bridge Street, Frome, Somerset BA11 1BB. Please do it NOW! I will be creating the piece during the show which runs from 6 November – 29 November 2015 so if you wanted you could bring me your piece (I will accept submissions up to 21 November) but you know you’ll forget – so do it NOW!

There is no higher purpose, no charitable intent, other than to create an interesting piece of art that is influenced by the chaos of multiple artists. I do not promise that your work will be used and if it is used it may not be obviously visible (those of you who know my work know that the work is often unseen!) When you send or deliver a piece you pass all physical and intellectual property rights to it as an object or idea over to me to use in any way that I see fit. Yes, I am asking you to make a small gift to me of your work with no chance of anything in return except the satisfaction that you will have played a small part in a web of art.

The one thing I do promise is that every artist from whom I receive something will get a publicly-visible credit at the exhibition. That name check may in itself become an artwork, who knows?

It is quite likely that I will also tweet the image and name of pieces sent in, but I make no promises on that in case time and numbers forbid.

So get cracking on your “Black Squares, Black Lines & Black Magic” submission and send it as soon as you can.  Thank you very much in advance

*PS I need to have a physical contribution. So if you make a digital piece please produce hard copy for me to use. If you are a musician or a poet or dancer or whatever you can still take part as long as you make your contribution into some kind of hard-copy 4″ x 4″ submission.