The sixth offering in 50 Collages Before Christmas features more of my photographs of grids: some more from Bruce Nauman’s installation at the Hamberger Bahnhof, Berlin and some from boarded-up shopfronts in Bristol. Sometimes it is difficult to stick down collage elements in the precise positions so everything aligns exactly as I want but everything got measured, cut and positioned perfectly almost effortlessly. The photo has a little shine on the left which makes it difficult to see the small dotted marks on the photo which mimic the perforations in the cardboard – my favourite bit, except perhaps for the section centre left which delights my eye with its ever-so-slightly trompe l’oeil misleading.
I’ve gone and done it again! A few years back I did a collage a day for a year – #Collage365. Then I did another every-day-for-a-year project – #Letter365. Only this time I have been a bit less demanding of myself. I think there are 63 days left till Christmas and I started the project 4 or 5 days ago. I know I am going to be away and busy for some of the time so I didn’t want to give myself any pressure. I also wanted to be able to do larger, more considered work rather than the very focussed work that the previous projects demanded. The idea came from my frustration of not being able to get the studio time I have been wanting. Necessary work on my studio roof and other calls on my time have meant I have not been able to engage in the concentrated work I need to be doing. I have sort of promised myself a “residency-at-home” for six months, following the idea of a “staycation”, where I can have an immersive experience in my studio and home landscape (mostly) and this project is how I have decided to kick it off.
Collage has started to creep into my work again – in the “Rings” series and the “Abstract Drawings for Dummies”, the first two of which are also the first two of #Collage50. When I was starting to put my studio back together after the work, I got out one of my large boxes of collage materials and just started working on things. I’ll have to find a way to get my studio organised round the things I am doing! Currently the floor and some work surfaces are covered with newly painted and marked paper I am preparing for use in collages!
The piece above, From Under Your Nose is Number 4 in the series. The photographs are discarded prints by Bridport photographer Brendon Buesnel that he gifted me as collage materials a couple of years ago. The piece below is Number 3, In The Room With No Soul. It features a photograph I took inside Bruce Bruce Nauman’s Room with My Soul Left Out, Room That Does Not Care which I saw at the Hamburger Bahnhof in Berlin. A small piece of one of these photos has already appeared in #Collage50 and I can see it could be a theme that develops. Well, it’s a grid isn’t it!
I will set up a separate page for the project in due course and try to get half-decent pictures of them all to make into a gallery slide show.