I am delighted that “A Few Lines Where Once I Danced” has been selected for the Bath Society of Artists show at the Victoria Art Gallery where it will be exhibited until 12 May 2018. It’s a particularly fine selection this year, well curated and hung, so worth a visit!
Last week I also finished this piece I spoke of a few of posts ago, “”For Musicians Who Like Music”. The title is a play on Andrew Hamilton’s “For People Who Like Art” and whilst it is not meant to be representative of the music it is inspired by it. I have a lot of ideas how I might progress this work – and other work related to music. I am aiming to start trying some of them out on canvas and in collage, today, and I am keen to try out some ideas as monoprints soon.
This is a piece that I started maybe a year ago! I finally made time to finish it off. I suppose it fits in my colour field drawings but it has a closer connection to my Tidelines work
The title of this piece comes from Andrew Hamilton’s “For People Who Like Art” which I was listening to as I finished it off. The words of Hamilton’s piece are taken from Ad Reinhardt’s “25 Lines of Words on Art Statement” so my title is quoting a quote. I have been really caught by his music and I had already started work on an another piece (still in progress) inspired by though not trying to represent this composition, which I am calling “For Musicians Who Like Art”. Hamilton has a number of works titled, “For…” which echos some of the titles of another composer I admire, Morton Feldman. Notably, Feldman wrote “For Philip Guston” and “For Franz Kline” among other work about art or artists. So my title, “For Musicians Who Like Art”, is an echo of an echo. I will post more about this when i have finished it and have got some decent photographs. Andrew Hamilton kindly sent me the score of the piece and I am thinking about doing more work directly related to his music. (I also have it in mind to do some work responding to Meredith Monk’s work!)
If you want to hear my favourite recording of Hamilton’s “For People Who Like Art” by Crash Ensemble you can do so on SoundCloud
I was pleased to be asked to be a judge for this, along with Liz Wright and Peter Sheridan. The prize-giving exhibition revealing the winning design for the proposed tunnel mural will be held at the STEPS Club For Young People, Weymouth, on Friday 23rd March.
The aim of all this is to improve an eyesore and problem area on the Rodwell Trail with a community project. The plan now is to train a group of local young people to support Peter Sheridan, the artist hired to transfer and develop the winning design as a stunning feature along the Rodwell Trail, hopefully attracting more people to the area. The tunnel painting will be carried out during three weeks this August and hopefully it will bring a lot of people together in Weymouth and attract a lot of tourist and media attention.
I have been continuing working on my X Marks The Spot series which started at the end of the 50 Collages Before Christmas project I did last year. The last one I posted, X Marks The Spot Where We Buried The Hatchet took the work into the area of conflict, confusion and misdirection, so it is no surprise that I continued the theme when asked to exhibit at The Soldiers of Oxfordshire Museum, Woodstock, in Art On Conflict to tie in with Jenny Holzer’s SOFTER installation at Blenheim Palace.
The three pieces here will accompany X Marks The Spot Where We Buried The Hatchet to Woodstock in what I am sure will be a fascinating and provoking exhibition.
After a period when I could not work on large drawings because of a bad back, I am now back on form and have been working on a strand of the erasure work I began during my 50 Collages Before Christmas project.
I am delighted to be showing work in three places in Bath. The work above, “Triple Double – Nothing Lost On Me”, was selected for the Bath Society of Artists Open Exhibition and is on display in excellent company at the Victoria Art Gallery until 15th July 2017. It’s a show that is well worth a look.
I was also selected for the Bath Open at 44AD, part of the Fringe Art Bath festival, where I am showing another erased/redacted work, “Are We Nearly There Yet”. That show finishes on Sunday 11th June. There are lots of very interesting shows, installations, performances and events on in Bath during FAB.
I am also represented in the slimmed-down version of “The Transformed Landscape” exhibition that was at The Brewhouse, Taunton, Somerset earlier in the year, which has now transferred to the Norman Foster-designed Circle Hospital, which has a regular programme of exhibitions, until December 2017.
I have been merrily working away at this project in a measured kind of way. It has been interesting to work with collage in a much bigger way than I have ever done before with some at A1 and one almost A0, though most are around the 50cm x 50cm mark. I have found that some have taken much more time than I ever could have imagined – just physically gluing and trimming takes proportionately longer to ensure everything is just right.
The reason I chose to do the project was to give me a focus. Having been out of the studio for a while I was stacked up with ideas and didn’t want to be flip-flopping about. Well that didn’t work: the project is spawning more ideas than ever and it’s difficult to focus on any of it.
However, I am happy with the direction things are going and I have quite a few pieces on the go and working well (plus a few that don’t want to go the way I hoped!) I have been blogging about the process on a-n so you can read more about it there. Below are some of the collages to date. I’ll create a page with all of them when the project is complete.