I have had this knocking around the studio for months and have finally resolved it. The paper is quite interesting to work with. It is Jackson’s own-brand “eco-friendly” 100% cotton, handmade paper from India. It is made from recycled cotton, each sheet being individually set into the moulds and then dried in the Indian sun. I like that these papers made in small moulds which means each sheet has 4 deckle edges in 1/4, 1/2 and Imperial sizes, so each sheet is unique and individual. Most sheets have got thumb or finger prints on. It doesn’t cut or tear cleanly because it has threads of cotton in and the surface is really fragile so no scrubbing and rubbing! Show it low-tack masking tape and it falls apart and sticking it on the wall with white tack is likely to tear a hole out of it. The surface absorbancy is completely random, the texture is variable and the colour is different from batch to batch. In many ways it is rubbish paper: so for me it is brilliant! I have to be either 100% certain what I want and hope it works or give myself over totally to its whims
I am pleased to announce that my ink and watercolour drawing The Prophesy Restated has been selected for the RWA Drawn 2015 exhibition. It is the largest of a series I was doing at the end of last year. I am still interested in investigating the theme further now that I am a little freer to work on more complex and larger field drawings. This small success means that I will be exhibiting in Bristol for the first time and will have two shows running at the same time with my solo installation #Letter365 running at Bridport Arts Centre until 11 April.