Monthly Archives: March 2018

“For Musicians Who Like Art”

"For Musicians Who Like Music" concertina drawing by David Smith

“For Musicians Who Like Music”
Acrylic on concertina sketchbook A5 format approx 5m long

Last week I also finished this piece I spoke of a few of posts ago, “”For Musicians Who Like Music”. The title is a play on Andrew Hamilton’s “For People Who Like Art” and whilst it is not meant to be representative of the music it is inspired by it. I have a lot of ideas how I might progress this work – and other work related to music. I am aiming to start trying some of them out on canvas and in collage, today, and I am keen to try out some ideas as monoprints soon.

"For Musicians Who Like Music" concertina drawing by David Smith

“For Musicians Who Like Music”
Acrylic on concertina sketchbook A5 format approx 5m long

“If It’s OK With Rachel It’s OK With Me”

"If It's OK With Rachel It's OK With Me" abstract drawing by David Smith

“If It’s OK With Rachel It’s OK With Me”
Inktense pencils and Ink on St Cuthbert’s paper 559mm × 762mm

This is a piece that I started maybe a year ago! I finally made time to finish it off. I suppose it fits in my colour field drawings but it has a closer connection to my Tidelines work


"Complicit l"  - abstract monoprint by David Smith

“Complicit l”
Plant extract stains on Snowdon Cartridge 59cm x 84cm

I have been working on this series since the turn of the year. They are, perhaps, the most political works I have ever made. I have always tried to lead an ethically decent life: I’ve campaigned on ecological issues, been on marches, try to buy locally, gardened organically and yet I rarely openly touch on these issues in my work. In my collages and Tidelines work I have certainly hinted at my anger and despair at the way we dump things in the oceans and my titles for pictures give the game away, but this is the first time I have started to explore my conflicted feelings about our consumerism and it’s intertwining with a capitalist system which is clearly breaking society and our environment. At last, everyone seems to be talking about the scourge of plastics, a dream gone wrong, and what we can do to cut down on our use of it before it totally chokes life here on the planet. This has encouraged me to deeply look again at what I can do to use less of the things that damage our world and I find that it is almost impossible to be free of complicity.

So I am starting from the standpoint of a favourite quote from Beth Orton and am trying to  “…learn the trick to turn|What’s not so pretty|Into something more beautiful”. I will be writing more about the series and the story behind these monoprints, but it needs a clearer mind before I do.

"Complicit l"  - abstract monoprint of plant extract stains

“Complicit l” (detail)
Plant extract stains on Snowdon Cartridge 59cm x 84cm

Art-as-art, Art-as-art, Yeah!

"Art-as-art, Art-as-art, Yeah!" large abstract drawing by David Smith

“Art-as-art, Art-as-art, Yeah!”
Pencil on Snowdon cartridge 59cm x 84cm

The title of this piece comes from Andrew Hamilton’s “For People Who Like Art” which I was listening to as I finished it off. The words of Hamilton’s piece are taken from Ad Reinhardt’s “25 Lines of Words on Art Statement” so my title is quoting a quote. I have been really caught by his music and I had already started work on an another piece (still in progress) inspired by though not trying to represent this composition, which I am calling “For Musicians Who Like Art”. Hamilton has a number of works titled, “For…” which echos some of the titles of another composer I admire, Morton Feldman. Notably, Feldman wrote “For Philip Guston” and “For Franz Kline” among other work about art or artists. So my title, “For Musicians Who Like Art”, is an echo of an echo. I will post more about this when i have finished it and have got some decent photographs. Andrew Hamilton kindly sent me the score of the piece and I am thinking about doing more work directly related to his music. (I also have it in mind to do some work responding to Meredith Monk’s work!)

If you want to hear my favourite recording of Hamilton’s “For People Who Like Art” by Crash Ensemble you can do so on SoundCloud


Rodwell Tunnel Mural

Poster advertising the exhibition of entries to the Rodwell Tunnel mural competition

Rodwell Tunnel Mural Exhibition Poster

I was pleased to be asked to be a judge for this, along with Liz Wright and Peter Sheridan. The prize-giving exhibition revealing the winning design for the proposed tunnel mural will be held at the STEPS Club For Young People, Weymouth, on Friday 23rd March.

The aim of all this is to improve an eyesore and problem area on the Rodwell Trail with a community project. The plan now is to train a group of local young people to support Peter Sheridan, the artist hired to transfer and develop the winning design as a stunning feature along the Rodwell Trail, hopefully attracting more people to the area.  The tunnel painting will be carried out during three weeks this August and hopefully it will bring a lot of people together in Weymouth and attract a lot of tourist and media attention.